All Women Are Created Equal But Only The Coolest Go Sailing Shirts
Buy this shirt: Click here to buy this All Women Are Created Equal But Only The Coolest Go Sailing Shirts If Regina King or Chloé Zhao—two of the 80 Years 1941 2021 Of The Citizen Kane Signatures Thank You For The Memories Shirt moreover I love this current frontrunners in the 2021 race for the best-director Oscar—receive a nomination, they will be the first women of color ever to be recognized in the category. It’s a startling fact that draws attention to another glaring injustice: only five female filmmakers (Lina Wertmüller, Jane Campion, Sofia Coppola, Kathryn Bigelow and Greta Gerwig) have been nominated in the Academy’s 92-year history and only one, Bigelow, has taken home the prize. So, after the disappointment of 2020’s all-male shortlist, why would the next ceremony’s line-up be any different? Because, of course, the ongoing pandemic has transformed the film industry as we know it. With blockbusters delaying their release dates, a host of low-budget independent films launched via streaming have had the chance to charm critics and audiences. With many of them directed by women without global name recognition and with smaller marketing budgets than the average Oscar contender, they’re being judged on their quality rather than the strength of their campaigns. Ahead of the nominations announcement on March 15, we present 10 women who are poised to make history, and the extraordinary releases that you should add to your watchlist now. Since her poetic road movie won Venice’s Golden Lion and Toronto’s People’s Choice Award, both major Oscar bellwethers, the Beijing-born director has looked unstoppable. Featuring a career-best performance from Frances McDormand, this wistful drama plays out in the American wilderness as a generation of workers become nomads in order to rebuild their lives following the 2008 economic crash. Almost two years on from her Oscar win for If Beale Street Could Talk, the actor returns with her feature directorial debut: the story of Black icons Malcolm X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), Jim Brown (Aldis Hodge) and Sam Cooke (Leslie Odom Jr), who meet in a motel room to discuss the struggle for equality. After a turbulent year of protests, it’s a profoundly moving watch. Harrowing and heartfelt, the Brooklyn-based filmmaker’s latest project delves into the mind of a teenager (Sidney Flanigan) who embarks on a perilous journey from Pennsylvania to New York for an abortion. It’s a slow burn that ends with a gut punch, providing a potent reminder of the need to safeguard women’s reproductive rights (some of which risk being rolled back globally as the pandemic goes on). The #MeToo movement has inspired a slew of recent films, but few match the power and precision of the Australian director’s gripping workplace thriller. It’s a masterclass in subdued terror starring Julia Garner as a beleaguered assistant at a New York production company who confronts a culture of sexual harassment. Honoring it with an Oscar could show Hollywood’s willingness to change. With its hallucinatory visuals and madcap performances, the American auteur’s gothic fable is a thrilling assault on the senses. Elisabeth Moss is haunting as a fictionalized version of the writer Shirley Jackson, who is erratic, homebound, and consumed by her latest novel. From its meticulous production design to the atmospheric cinematography and wry script, it’s a towering achievement. This father-and-daughter buddy comedy reunites the Oscar-winning writer-director with her muse Bill Murray, and the result is both poignant and hysterical. He plays a retired gallerist and eccentric parent of a writer (Rashida Jones) who suspects her husband (Marlon Wayans) of having an affair. To find the truth, the pair go on an adventure across New York and win our hearts in the process. Renowned for her intimate and elegiac body of work, the indie darling’s most recent offering is a masterpiece — an offbeat western about a cook (John Magaro) and a Chinese immigrant (Orion Lee) who start a business with milk stolen from the first cow to arrive in the Oregon territory in the 19th century. It’s a tender tale of friendship that is guaranteed to stay with you for a long time. Surreal doesn’t even begin to describe the prolific multi-hyphenate’s latest project; a kooky comedy which follows a family of con artists (Evan Rachel Wood, Debra Winger and Richard Jenkins) who find an enterprising accomplice (Gina Rodriguez) for their nefarious schemes. Add bucketloads of pink foam, debilitating tremors, and a jaw-dropping ending, and you have July’s finest film to date. While its candy-colored costumes and exquisite sets are sure to get the American photographer’s big-screen debut nominated in several Oscar categories, it’s her deft direction that holds this irresistible period piece together. Anya Taylor-Joy is delightfully caustic as Jane Austen’s glamorous anti-heroine, as she meddles in the love lives of her acquaintances with disastrous consequences. An uplifting ode to Black womanhood, this Texas-born newcomer’s accomplished debut feature casts Nicole Beharie as a single mother who is determined to help her daughter (Alexis Chikaeze) win a pageant that will secure her a college scholarship. It handles weighty themes with ease, from the brutal legacy of slavery to the impact of shattered dreams, and emerges triumphant.Looking ahead to post-pandemic times, Riccardo Tisci set his sights on country life for his first standalone men’s show for Burberry. Makeup artist Isamaya Ffrench interpreted this theme by serving up “celestial, clean” makeup looks and adorning a few model faces with a constellation of small, twinkly stars. Rural areas are best for stargazing, after all. z“We started thinking about how stars could look really beautiful, almost dreamlike, so we created these constellations,” said Ffrench of conceptualizing the look. “They hark back to nature, this vastness of a night sky.” To create the shapes, Ffrench used white or jet black paint to trace a few delicate star shapes around the eyes, cheeks, and nose in an asymmetrical formation. She then applied tiny crystal studs on the center of the shapes, as well as around them, turning each visage into a shimmering, starry canvas. Glowing skin (enhanced with Burberry’s Fresh Glow foundation and gel sticks), groomed brows, and dewy nude lips complemented the look to fresh, futuristic effect. As so many of us stick to a more minimal makeup routine with a heavier emphasis on skin care, consider Burberry’s star embellishments a transportive, DIY-friendly way to accessorize raw, healthy skin—and provide some much-needed levity. Urban dwellers craving nature (and imaginative fantasy), this one’s for you. In the 80 Years 1941 2021 Of The Citizen Kane Signatures Thank You For The Memories Shirt moreover I love this head-spinning age of multistep skin-care routines and mic-drop makeup launches, The One is a space for minimalists to sound off on a single beauty product that has had a longtime spot in their carefully curated routines. TyLynn Nguyen—model, mother of three, and the creative director and designer for her eponymous lingerie company—knows a thing or two about staying balanced. The Massachusetts-raised, L.A.-based entrepreneur’s passion keeps her motivated amid her busy schedule. “I love what I do because I am able to connect with others all around the world who share my love of these things as well as spirituality and my family,” she says. Anyone who follows Nguyen on Instagram has caught sight of the inner glow that results from the appreciation of one’s pursuits. But the multihyphenate creative is careful to apply a minimal mix of products on the outside too—with skin care coming first. “My beauty style is all about staying hydrated and using products that get rid of dead skin and keep my skin firm and plumped,” Nguyen says. With that mission in mind, Nguyen turns to La Solution 10 de Chanel, a moisturizer that is itself relatively minimalist—only 10 ingredients, including the antioxidant-rich, sensitive-skin-protecting silver needle tea and barrier-supportive squalane. Nguyen credits the formula with hydrating and suppling her skin (alongside regular visits to her facialist, Camille Fields). “It creates a nice barrier for makeup application on top, feels clean, is nourishing, and creates a lasting glow to my skin,” she says. And while not every moisturizer stands the test of travel, Nguyen says she’s quick to pack this one in her suitcase. “It’s great for any climate,” she notes, never leaving a heavy feeling on the skin. “This is one of my ‘use down to the last drop’ products.” Click here to visit Wynshirt All Women Are Created Equal But Only The Coolest Go Sailing Shirts Buy this shirt: Click here to buy this All Women Are Created Equal But Only The Coolest Go Sailing Shirts If Regina King or Chloé Zhao—two of the 80 Years 1941 2021 Of The Citizen Kane Signatures Thank You For The Memories Shirt moreover I love this current frontrunners in the 2021 race for the best-director Oscar—receive a nomination, they will be the first women of color ever to be recognized in the category. It’s a startling fact that draws attention to another glaring injustice: only five female filmmakers (Lina Wertmüller, Jane Campion, Sofia Coppola, Kathryn Bigelow and Greta Gerwig) have been nominated in the Academy’s 92-year history and only one, Bigelow, has taken home the prize. So, after the disappointment of 2020’s all-male shortlist, why would the next ceremony’s line-up be any different? Because, of course, the ongoing pandemic has transformed the film industry as we know it. With blockbusters delaying their release dates, a host of low-budget independent films launched via streaming have had the chance to charm critics and audiences. With many of them directed by women without global name recognition and with smaller marketing budgets than the average Oscar contender, they’re being judged on their quality rather than the strength of their campaigns. Ahead of the nominations announcement on March 15, we present 10 women who are poised to make history, and the extraordinary releases that you should add to your watchlist now. Since her poetic road movie won Venice’s Golden Lion and Toronto’s People’s Choice Award, both major Oscar bellwethers, the Beijing-born director has looked unstoppable. Featuring a career-best performance from Frances McDormand, this wistful drama plays out in the American wilderness as a generation of workers become nomads in order to rebuild their lives following the 2008 economic crash. Almost two years on from her Oscar win for If Beale Street Could Talk, the actor returns with her feature directorial debut: the story of Black icons Malcolm X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), Jim Brown (Aldis Hodge) and Sam Cooke (Leslie Odom Jr), who meet in a motel room to discuss the struggle for equality. After a turbulent year of protests, it’s a profoundly moving watch. Harrowing and heartfelt, the Brooklyn-based filmmaker’s latest project delves into the mind of a teenager (Sidney Flanigan) who embarks on a perilous journey from Pennsylvania to New York for an abortion. It’s a slow burn that ends with a gut punch, providing a potent reminder of the need to safeguard women’s reproductive rights (some of which risk being rolled back globally as the pandemic goes on). The #MeToo movement has inspired a slew of recent films, but few match the power and precision of the Australian director’s gripping workplace thriller. It’s a masterclass in subdued terror starring Julia Garner as a beleaguered assistant at a New York production company who confronts a culture of sexual harassment. Honoring it with an Oscar could show Hollywood’s willingness to change. With its hallucinatory visuals and madcap performances, the American auteur’s gothic fable is a thrilling assault on the senses. Elisabeth Moss is haunting as a fictionalized version of the writer Shirley Jackson, who is erratic, homebound, and consumed by her latest novel. From its meticulous production design to the atmospheric cinematography and wry script, it’s a towering achievement. This father-and-daughter buddy comedy reunites the Oscar-winning writer-director with her muse Bill Murray, and the result is both poignant and hysterical. He plays a retired gallerist and eccentric parent of a writer (Rashida Jones) who suspects her husband (Marlon Wayans) of having an affair. To find the truth, the pair go on an adventure across New York and win our hearts in the process. Renowned for her intimate and elegiac body of work, the indie darling’s most recent offering is a masterpiece — an offbeat western about a cook (John Magaro) and a Chinese immigrant (Orion Lee) who start a business with milk stolen from the first cow to arrive in the Oregon territory in the 19th century. It’s a tender tale of friendship that is guaranteed to stay with you for a long time. Surreal doesn’t even begin to describe the prolific multi-hyphenate’s latest project; a kooky comedy which follows a family of con artists (Evan Rachel Wood, Debra Winger and Richard Jenkins) who find an enterprising accomplice (Gina Rodriguez) for their nefarious schemes. Add bucketloads of pink foam, debilitating tremors, and a jaw-dropping ending, and you have July’s finest film to date. While its candy-colored costumes and exquisite sets are sure to get the American photographer’s big-screen debut nominated in several Oscar categories, it’s her deft direction that holds this irresistible period piece together. Anya Taylor-Joy is delightfully caustic as Jane Austen’s glamorous anti-heroine, as she meddles in the love lives of her acquaintances with disastrous consequences. An uplifting ode to Black womanhood, this Texas-born newcomer’s accomplished debut feature casts Nicole Beharie as a single mother who is determined to help her daughter (Alexis Chikaeze) win a pageant that will secure her a college scholarship. It handles weighty themes with ease, from the brutal legacy of slavery to the impact of shattered dreams, and emerges triumphant.Looking ahead to post-pandemic times, Riccardo Tisci set his sights on country life for his first standalone men’s show for Burberry. Makeup artist Isamaya Ffrench interpreted this theme by serving up “celestial, clean” makeup looks and adorning a few model faces with a constellation of small, twinkly stars. Rural areas are best for stargazing, after all. z“We started thinking about how stars could look really beautiful, almost dreamlike, so we created these constellations,” said Ffrench of conceptualizing the look. “They hark back to nature, this vastness of a night sky.” To create the shapes, Ffrench used white or jet black paint to trace a few delicate star shapes around the eyes, cheeks, and nose in an asymmetrical formation. She then applied tiny crystal studs on the center of the shapes, as well as around them, turning each visage into a shimmering, starry canvas. Glowing skin (enhanced with Burberry’s Fresh Glow foundation and gel sticks), groomed brows, and dewy nude lips complemented the look to fresh, futuristic effect. As so many of us stick to a more minimal makeup routine with a heavier emphasis on skin care, consider Burberry’s star embellishments a transportive, DIY-friendly way to accessorize raw, healthy skin—and provide some much-needed levity. Urban dwellers craving nature (and imaginative fantasy), this one’s for you. In the 80 Years 1941 2021 Of The Citizen Kane Signatures Thank You For The Memories Shirt moreover I love this head-spinning age of multistep skin-care routines and mic-drop makeup launches, The One is a space for minimalists to sound off on a single beauty product that has had a longtime spot in their carefully curated routines. TyLynn Nguyen—model, mother of three, and the creative director and designer for her eponymous lingerie company—knows a thing or two about staying balanced. The Massachusetts-raised, L.A.-based entrepreneur’s passion keeps her motivated amid her busy schedule. “I love what I do because I am able to connect with others all around the world who share my love of these things as well as spirituality and my family,” she says. Anyone who follows Nguyen on Instagram has caught sight of the inner glow that results from the appreciation of one’s pursuits. But the multihyphenate creative is careful to apply a minimal mix of products on the outside too—with skin care coming first. “My beauty style is all about staying hydrated and using products that get rid of dead skin and keep my skin firm and plumped,” Nguyen says. With that mission in mind, Nguyen turns to La Solution 10 de Chanel, a moisturizer that is itself relatively minimalist—only 10 ingredients, including the antioxidant-rich, sensitive-skin-protecting silver needle tea and barrier-supportive squalane. Nguyen credits the formula with hydrating and suppling her skin (alongside regular visits to her facialist, Camille Fields). “It creates a nice barrier for makeup application on top, feels clean, is nourishing, and creates a lasting glow to my skin,” she says. And while not every moisturizer stands the test of travel, Nguyen says she’s quick to pack this one in her suitcase. “It’s great for any climate,” she notes, never leaving a heavy feeling on the skin. “This is one of my ‘use down to the last drop’ products.” Click here to visit Wynshirt
Buy this shirt: Click here to buy this All Women Are Created Equal But Only The Coolest Go Sailing Shirts If Regina King or Chloé Zhao—two of the 80 Years 1941 2021 Of The Citizen Kane Signatures Thank You For The Memories Shirt moreover I love this current frontrunners in the 2021 race for the best-director Oscar—receive a nomination, they will be the first women of color ever to be recognized in the category. It’s a startling fact that draws attention to another glaring injustice: only five female filmmakers (Lina Wertmüller, Jane Campion, Sofia Coppola, Kathryn Bigelow and Greta Gerwig) have been nominated in the Academy’s 92-year history and only one, Bigelow, has taken home the prize. So, after the disappointment of 2020’s all-male shortlist, why would the next ceremony’s line-up be any different? Because, of course, the ongoing pandemic has transformed the film industry as we know it. With blockbusters delaying their release dates, a host of low-budget independent films launched via streaming have had the chance to charm critics and audiences. With many of them directed by women without global name recognition and with smaller marketing budgets than the average Oscar contender, they’re being judged on their quality rather than the strength of their campaigns. Ahead of the nominations announcement on March 15, we present 10 women who are poised to make history, and the extraordinary releases that you should add to your watchlist now. Since her poetic road movie won Venice’s Golden Lion and Toronto’s People’s Choice Award, both major Oscar bellwethers, the Beijing-born director has looked unstoppable. Featuring a career-best performance from Frances McDormand, this wistful drama plays out in the American wilderness as a generation of workers become nomads in order to rebuild their lives following the 2008 economic crash. Almost two years on from her Oscar win for If Beale Street Could Talk, the actor returns with her feature directorial debut: the story of Black icons Malcolm X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), Jim Brown (Aldis Hodge) and Sam Cooke (Leslie Odom Jr), who meet in a motel room to discuss the struggle for equality. After a turbulent year of protests, it’s a profoundly moving watch. Harrowing and heartfelt, the Brooklyn-based filmmaker’s latest project delves into the mind of a teenager (Sidney Flanigan) who embarks on a perilous journey from Pennsylvania to New York for an abortion. It’s a slow burn that ends with a gut punch, providing a potent reminder of the need to safeguard women’s reproductive rights (some of which risk being rolled back globally as the pandemic goes on). The #MeToo movement has inspired a slew of recent films, but few match the power and precision of the Australian director’s gripping workplace thriller. It’s a masterclass in subdued terror starring Julia Garner as a beleaguered assistant at a New York production company who confronts a culture of sexual harassment. Honoring it with an Oscar could show Hollywood’s willingness to change. With its hallucinatory visuals and madcap performances, the American auteur’s gothic fable is a thrilling assault on the senses. Elisabeth Moss is haunting as a fictionalized version of the writer Shirley Jackson, who is erratic, homebound, and consumed by her latest novel. From its meticulous production design to the atmospheric cinematography and wry script, it’s a towering achievement. This father-and-daughter buddy comedy reunites the Oscar-winning writer-director with her muse Bill Murray, and the result is both poignant and hysterical. He plays a retired gallerist and eccentric parent of a writer (Rashida Jones) who suspects her husband (Marlon Wayans) of having an affair. To find the truth, the pair go on an adventure across New York and win our hearts in the process. Renowned for her intimate and elegiac body of work, the indie darling’s most recent offering is a masterpiece — an offbeat western about a cook (John Magaro) and a Chinese immigrant (Orion Lee) who start a business with milk stolen from the first cow to arrive in the Oregon territory in the 19th century. It’s a tender tale of friendship that is guaranteed to stay with you for a long time. Surreal doesn’t even begin to describe the prolific multi-hyphenate’s latest project; a kooky comedy which follows a family of con artists (Evan Rachel Wood, Debra Winger and Richard Jenkins) who find an enterprising accomplice (Gina Rodriguez) for their nefarious schemes. Add bucketloads of pink foam, debilitating tremors, and a jaw-dropping ending, and you have July’s finest film to date. While its candy-colored costumes and exquisite sets are sure to get the American photographer’s big-screen debut nominated in several Oscar categories, it’s her deft direction that holds this irresistible period piece together. Anya Taylor-Joy is delightfully caustic as Jane Austen’s glamorous anti-heroine, as she meddles in the love lives of her acquaintances with disastrous consequences. An uplifting ode to Black womanhood, this Texas-born newcomer’s accomplished debut feature casts Nicole Beharie as a single mother who is determined to help her daughter (Alexis Chikaeze) win a pageant that will secure her a college scholarship. It handles weighty themes with ease, from the brutal legacy of slavery to the impact of shattered dreams, and emerges triumphant.Looking ahead to post-pandemic times, Riccardo Tisci set his sights on country life for his first standalone men’s show for Burberry. Makeup artist Isamaya Ffrench interpreted this theme by serving up “celestial, clean” makeup looks and adorning a few model faces with a constellation of small, twinkly stars. Rural areas are best for stargazing, after all. z“We started thinking about how stars could look really beautiful, almost dreamlike, so we created these constellations,” said Ffrench of conceptualizing the look. “They hark back to nature, this vastness of a night sky.” To create the shapes, Ffrench used white or jet black paint to trace a few delicate star shapes around the eyes, cheeks, and nose in an asymmetrical formation. She then applied tiny crystal studs on the center of the shapes, as well as around them, turning each visage into a shimmering, starry canvas. Glowing skin (enhanced with Burberry’s Fresh Glow foundation and gel sticks), groomed brows, and dewy nude lips complemented the look to fresh, futuristic effect. As so many of us stick to a more minimal makeup routine with a heavier emphasis on skin care, consider Burberry’s star embellishments a transportive, DIY-friendly way to accessorize raw, healthy skin—and provide some much-needed levity. Urban dwellers craving nature (and imaginative fantasy), this one’s for you. In the 80 Years 1941 2021 Of The Citizen Kane Signatures Thank You For The Memories Shirt moreover I love this head-spinning age of multistep skin-care routines and mic-drop makeup launches, The One is a space for minimalists to sound off on a single beauty product that has had a longtime spot in their carefully curated routines. TyLynn Nguyen—model, mother of three, and the creative director and designer for her eponymous lingerie company—knows a thing or two about staying balanced. The Massachusetts-raised, L.A.-based entrepreneur’s passion keeps her motivated amid her busy schedule. “I love what I do because I am able to connect with others all around the world who share my love of these things as well as spirituality and my family,” she says. Anyone who follows Nguyen on Instagram has caught sight of the inner glow that results from the appreciation of one’s pursuits. But the multihyphenate creative is careful to apply a minimal mix of products on the outside too—with skin care coming first. “My beauty style is all about staying hydrated and using products that get rid of dead skin and keep my skin firm and plumped,” Nguyen says. With that mission in mind, Nguyen turns to La Solution 10 de Chanel, a moisturizer that is itself relatively minimalist—only 10 ingredients, including the antioxidant-rich, sensitive-skin-protecting silver needle tea and barrier-supportive squalane. Nguyen credits the formula with hydrating and suppling her skin (alongside regular visits to her facialist, Camille Fields). “It creates a nice barrier for makeup application on top, feels clean, is nourishing, and creates a lasting glow to my skin,” she says. And while not every moisturizer stands the test of travel, Nguyen says she’s quick to pack this one in her suitcase. “It’s great for any climate,” she notes, never leaving a heavy feeling on the skin. “This is one of my ‘use down to the last drop’ products.” Click here to visit Wynshirt All Women Are Created Equal But Only The Coolest Go Sailing Shirts Buy this shirt: Click here to buy this All Women Are Created Equal But Only The Coolest Go Sailing Shirts If Regina King or Chloé Zhao—two of the 80 Years 1941 2021 Of The Citizen Kane Signatures Thank You For The Memories Shirt moreover I love this current frontrunners in the 2021 race for the best-director Oscar—receive a nomination, they will be the first women of color ever to be recognized in the category. It’s a startling fact that draws attention to another glaring injustice: only five female filmmakers (Lina Wertmüller, Jane Campion, Sofia Coppola, Kathryn Bigelow and Greta Gerwig) have been nominated in the Academy’s 92-year history and only one, Bigelow, has taken home the prize. So, after the disappointment of 2020’s all-male shortlist, why would the next ceremony’s line-up be any different? Because, of course, the ongoing pandemic has transformed the film industry as we know it. With blockbusters delaying their release dates, a host of low-budget independent films launched via streaming have had the chance to charm critics and audiences. With many of them directed by women without global name recognition and with smaller marketing budgets than the average Oscar contender, they’re being judged on their quality rather than the strength of their campaigns. Ahead of the nominations announcement on March 15, we present 10 women who are poised to make history, and the extraordinary releases that you should add to your watchlist now. Since her poetic road movie won Venice’s Golden Lion and Toronto’s People’s Choice Award, both major Oscar bellwethers, the Beijing-born director has looked unstoppable. Featuring a career-best performance from Frances McDormand, this wistful drama plays out in the American wilderness as a generation of workers become nomads in order to rebuild their lives following the 2008 economic crash. Almost two years on from her Oscar win for If Beale Street Could Talk, the actor returns with her feature directorial debut: the story of Black icons Malcolm X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), Jim Brown (Aldis Hodge) and Sam Cooke (Leslie Odom Jr), who meet in a motel room to discuss the struggle for equality. After a turbulent year of protests, it’s a profoundly moving watch. Harrowing and heartfelt, the Brooklyn-based filmmaker’s latest project delves into the mind of a teenager (Sidney Flanigan) who embarks on a perilous journey from Pennsylvania to New York for an abortion. It’s a slow burn that ends with a gut punch, providing a potent reminder of the need to safeguard women’s reproductive rights (some of which risk being rolled back globally as the pandemic goes on). The #MeToo movement has inspired a slew of recent films, but few match the power and precision of the Australian director’s gripping workplace thriller. It’s a masterclass in subdued terror starring Julia Garner as a beleaguered assistant at a New York production company who confronts a culture of sexual harassment. Honoring it with an Oscar could show Hollywood’s willingness to change. With its hallucinatory visuals and madcap performances, the American auteur’s gothic fable is a thrilling assault on the senses. Elisabeth Moss is haunting as a fictionalized version of the writer Shirley Jackson, who is erratic, homebound, and consumed by her latest novel. From its meticulous production design to the atmospheric cinematography and wry script, it’s a towering achievement. This father-and-daughter buddy comedy reunites the Oscar-winning writer-director with her muse Bill Murray, and the result is both poignant and hysterical. He plays a retired gallerist and eccentric parent of a writer (Rashida Jones) who suspects her husband (Marlon Wayans) of having an affair. To find the truth, the pair go on an adventure across New York and win our hearts in the process. Renowned for her intimate and elegiac body of work, the indie darling’s most recent offering is a masterpiece — an offbeat western about a cook (John Magaro) and a Chinese immigrant (Orion Lee) who start a business with milk stolen from the first cow to arrive in the Oregon territory in the 19th century. It’s a tender tale of friendship that is guaranteed to stay with you for a long time. Surreal doesn’t even begin to describe the prolific multi-hyphenate’s latest project; a kooky comedy which follows a family of con artists (Evan Rachel Wood, Debra Winger and Richard Jenkins) who find an enterprising accomplice (Gina Rodriguez) for their nefarious schemes. Add bucketloads of pink foam, debilitating tremors, and a jaw-dropping ending, and you have July’s finest film to date. While its candy-colored costumes and exquisite sets are sure to get the American photographer’s big-screen debut nominated in several Oscar categories, it’s her deft direction that holds this irresistible period piece together. Anya Taylor-Joy is delightfully caustic as Jane Austen’s glamorous anti-heroine, as she meddles in the love lives of her acquaintances with disastrous consequences. An uplifting ode to Black womanhood, this Texas-born newcomer’s accomplished debut feature casts Nicole Beharie as a single mother who is determined to help her daughter (Alexis Chikaeze) win a pageant that will secure her a college scholarship. It handles weighty themes with ease, from the brutal legacy of slavery to the impact of shattered dreams, and emerges triumphant.Looking ahead to post-pandemic times, Riccardo Tisci set his sights on country life for his first standalone men’s show for Burberry. Makeup artist Isamaya Ffrench interpreted this theme by serving up “celestial, clean” makeup looks and adorning a few model faces with a constellation of small, twinkly stars. Rural areas are best for stargazing, after all. z“We started thinking about how stars could look really beautiful, almost dreamlike, so we created these constellations,” said Ffrench of conceptualizing the look. “They hark back to nature, this vastness of a night sky.” To create the shapes, Ffrench used white or jet black paint to trace a few delicate star shapes around the eyes, cheeks, and nose in an asymmetrical formation. She then applied tiny crystal studs on the center of the shapes, as well as around them, turning each visage into a shimmering, starry canvas. Glowing skin (enhanced with Burberry’s Fresh Glow foundation and gel sticks), groomed brows, and dewy nude lips complemented the look to fresh, futuristic effect. As so many of us stick to a more minimal makeup routine with a heavier emphasis on skin care, consider Burberry’s star embellishments a transportive, DIY-friendly way to accessorize raw, healthy skin—and provide some much-needed levity. Urban dwellers craving nature (and imaginative fantasy), this one’s for you. In the 80 Years 1941 2021 Of The Citizen Kane Signatures Thank You For The Memories Shirt moreover I love this head-spinning age of multistep skin-care routines and mic-drop makeup launches, The One is a space for minimalists to sound off on a single beauty product that has had a longtime spot in their carefully curated routines. TyLynn Nguyen—model, mother of three, and the creative director and designer for her eponymous lingerie company—knows a thing or two about staying balanced. The Massachusetts-raised, L.A.-based entrepreneur’s passion keeps her motivated amid her busy schedule. “I love what I do because I am able to connect with others all around the world who share my love of these things as well as spirituality and my family,” she says. Anyone who follows Nguyen on Instagram has caught sight of the inner glow that results from the appreciation of one’s pursuits. But the multihyphenate creative is careful to apply a minimal mix of products on the outside too—with skin care coming first. “My beauty style is all about staying hydrated and using products that get rid of dead skin and keep my skin firm and plumped,” Nguyen says. With that mission in mind, Nguyen turns to La Solution 10 de Chanel, a moisturizer that is itself relatively minimalist—only 10 ingredients, including the antioxidant-rich, sensitive-skin-protecting silver needle tea and barrier-supportive squalane. Nguyen credits the formula with hydrating and suppling her skin (alongside regular visits to her facialist, Camille Fields). “It creates a nice barrier for makeup application on top, feels clean, is nourishing, and creates a lasting glow to my skin,” she says. And while not every moisturizer stands the test of travel, Nguyen says she’s quick to pack this one in her suitcase. “It’s great for any climate,” she notes, never leaving a heavy feeling on the skin. “This is one of my ‘use down to the last drop’ products.” Click here to visit Wynshirt
Buy it here: https://myloveinheaven.info/all-women-are-created-equal-but-only-the-coolest-go-sailing-shirts/
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